VIVIENNE HALDANE
A CHAPTER OF.
On now - 13 July.
Drew-Elizabeth Johnstone and Clinton Povey, indoors Karangahape Road, Auckland, 1993, AP, Ed: 5
Silver gelatin photograph, selenium toned
410 x 510 mm (paper size), 700 x 550mm framed, $2,900
Nephi Tupaea and Clinton Povey, Auckland Domain, 1993, AP, Ed: 5
Silver gelatin photograph, selenium toned
510 x 410 mm (paper size), 700 x 550mm framed, SOLD
Clinton Povey and Kereama Williams, Southdown Freezing works, Auckland, 1993, AP, Ed: 5
Silver gelatin photograph, selenium toned
410 x 510 mm (paper size), 700 x 550mm framed, $2,900
Clinton Povey and Suzanne Tamaki, Auckland Domain, 1993, AP, Ed: 5
Silver gelatin photograph, selenium toned
510 x 410 mm (paper size), 700 x 550mm framed, $2,900
Nephi Tupaea, Central Church Beresford Square, Auckland, 1993, AP, Ed: 5
Silver gelatin photograph, selenium toned
510 x 410 mm (paper size), 700 x 550mm framed, $2,900
Bonny Proctor and Karlos Quartez, Point Chevalier Beach, Auckland, 1994, AP, Ed: 5
Silver gelatin photograph, selenium toned
510 x 410 mm (paper size), 700 x 550mm framed, $2,900
VIVIENNE
HALDANE
//
BIO
Vivienne Haldane is a New Zealand photographer and writer with a long-time practice spanning both fine-art photography and editorial assignments for a wide range of noted New Zealand publications and earlier years spent as a weaving and textile artist. Early studies in weaving, photography and graphic design were interspersed with the births of three children. Full-time photography studies at Unitec in the early 90’s, under tutors such as prominent photographers Fiona Pardington and Haruhiko Sameshima, resulted in an AGFA Scholarship for outstanding work.
Vivienne’s best-known photographs chronicle the Pacific Sisters, one of Aotearoa’s most influential Māori and Pacifika artistic and fashion collectives of the 90’s. The collective are an integral part of New Zealand’s indigenous and mainstream art history, an ever-evolving group working collaboratively across fashion, performance, music, and film. Her Pacific Sisters: He Toa Tāera | Fashion Activists series, completed after her graduation, has latterly made a mark in New Zealand’s leading art institutions, exhibited at Te Papa Tongarewa in Wellington (2018) and Auckland Art Gallery Toi o Tāmaki (2019), with Auckland Art Gallery Toi o Tāmaki acquiring the exhibited suite of her lightboxes for the permanent collection.
The artist’s self-described “organic journey” of documenting the Sisters began with an introduction from performance artist Mika, and soon after, a commission from John Draper to shoot the Sisters. Working closely with the collective over a period of time in friendly collaborative creativity resulted in images of striking intimacy and emotional weight. Shot around Auckland in locations ranging from Point Chevalier Beach to the Karangahape Road sex shops, Vivienne stayed in touch with the sisters over the years and they “often lamented the fact that these photos had never seen the light of day”, Draper’s Glo magazine having never been published. The images didn’t surface until Nina Tonga contacted the Sisters for the Te Papa exhibition, leading to the inclusion of Vivienne’s photographs as an integral part of the Pacific Sisters retrospective at Te Papa Tongarewa.
Vivienne credits a number of key photographic influences, in particular Duane Michals for his photo sequences, Joel Meyerowitz, Lee Miller, Dorothea Lange, and Elliot Erwitt, as well as Richard Avedon, Helmut Newton and the new wave of 90’s fashion photography / music. Her authentically tender portraits are all her own, however. Following the critical success and acclaimed institutional reception of Pacific Sisters, Vivienne is currently shifting away from editorial work and focusing on her fine-art photography. Vivienne lives and works in Hawkes Bay, New Zealand.